Anonymous – Barnabas Collins in a Funny Vein (1969)

Review by Justin Tate

Ever aware of the show’s campy tone, this novelty joke book first appeared in February 1969. Apparently it exceeded expectations, as there there at least five additional printings in only ten months. This impressive accomplishment is more indicative of the national frenzy for Dark Shadows anything, I believe, than the book’s content.

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Julian Francis – Bunny Bitch (1969)

Review by Justin Tate

This 1969 gay pulp novel got labeled as “Adult Only” entertainment when it was published, but it’s much more about true love than naughty exploits.

Steve Saville is the “head of computer division” for a big corporation. He’s 34, lonely, socially awkward, self-conscious, and carries baggage from painful past relationships. Thinking that he’s not meant for happiness, he is just confident enough to dance with attractive Ben “Bunny” Farrow at a party only because he’s rumored to be a hustler.

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Frederick Raborg – Gay Vigilante (1972)

Review by Justin Tate

Circa 1972, this western-themed pulp delivers all the gay cowboy imagery a boy could want, but also explores intriguing literary topics such as the disconnect between external and internal masculinity, the basic human need for love, and what amounts to a critique of polyamory.

Set in Sacramento Valley during the 1849 gold rush, we learn that Holt Dykes is on the run. He’s a blue-eyed desperado who’s more sensitive than his rough exterior reveals. He’s thirsty, dirty, and trying to outpace the man who wants him dead.

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Franz Kafka – The Metamorphosis (1915)

Review by Justin Tate

Gregor’s transformation into a bug is no ordinary plight, and yet the fallout is bitterly recognizable. Relatable, even. In fact, I associate myself with Gregor so exactly that it is almost as if Kafka had been writing—in his veiled, symbolic way—about my queer anxieties, just as they are on this day in 2021.

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Elizabeth Bonhôte – Bungay Castle (1796)

Review by Justin Tate

Bungay Castle by Elizabeth Bonhote is a literary artifact of the 1790s. This was a time when London was obsessed with reading Gothic novels by Horace Walpole, Clara Reeve, Ann Radcliffe and their numerous imitators. Minerva Press was a major publisher of all things Gothic and they added Bonhote’s novel to their growing catalog in 1796, the same year that Matthew Lewis published his enduring masterwork, The Monk.

For those of us with an academic interest in Gothic literature, the 1790s is seen as a magical period of enlightened creativity; a renaissance of all things spooky and macabre. The era also contains a never-ending well of Gothic novels that need to be re-read, re-analyzed, and re-discovered. Sadly, these works have been largely neglected by academia and, in many cases, out-of-print for over two hundred years.

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R.L. Stine – Goodnight Kiss + Goodnight Kiss 2 + “The Vampire Club” (1992-1997)

Review by Justin Tate

Mom didn’t censor me from Fear Street books, but she did ban this one due to its sultry cover. In consequence, I’ve been eager to read it since I was 8. At long last the day has finally come! Take that, Ma.

The restful beach babe with dripping vampire bites is, of course, far more alluring than the PG content within. Still, it’s a vampire novel, so of course sexuality plays a role. The premise involves two attractive teen “eternal ones” who are running low on “nectar” and need a refill. They decide to make it a competition and each picks out a victim for the other to seduce and drain. Enter a group of unsuspecting Shadyside teens on vacation and you have yet another horror encounter for youthful Ohioans.

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Bram Stoker – Dracula + “Dracula’s Guest” (1897)

Review by Justin Tate

Dracula seems to be one of those love-it or hate-it type books, but for me it is all love! The opening chapters alone provide some of the most gripping, suspense-inducing, edge-of-seat anxieties I’ve ever read, all leading up to a delightfully queer twist with a male character stepping in for the traditional Gothic heroine.

Jonathan Harker fulfills the damsel in distress role quite suitably, being locked away in a remote castle and forced to navigate the domineering personality of his captor. Dracula is reminiscent of Montoni from Ann Radcliffe’s The Mysteries of Udolpho, particularly in the way he has control over Jonathan’s sexual well-being. When the three weird sisters close in on an unaccompanied Jonathan, Dracula stops them at the last second, saying “This man belongs to me!” before Harker “sank down unconscious.”

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Joseph Sheridan le Fanu – Carmilla (1872)

Review by Justin Tate

Lesbian vampire novel that pre-dates Dracula by 25 years? Sign me up! Carmilla (1872) was in fact a huge influence on Bram Stoker, as shown by many subtle references in Dracula (1897) and more obvious ones in “Dracula’s Guest”. Largely a forgotten classic, today Carmilla is receiving something of a revival thanks to an increased academic interest in queer artifacts and this new edition that’s edited by Carmen Maria Machado.

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J.X. Williams – Goodbye, My Lover (1966)

Review by Justin Tate

Historically significant gay murder mystery! Today Goodbye, My Lover merely reads like the campy whodunit that it is, but when it was originally published in 1966 it must’ve been a life-changing experience for gay readers seeking evidence that they deserve a place in the world.

The characters are happily gay and living their best life—even as they navigate an intricate murder plot. Rather than resent their sexuality or commit suicide by the end, they are more reaffirmed than ever to have long-term gay relationships in their future. Homophobia is largely absent and certainly not dwelled upon. Possibly because the novel takes place in Los Angeles, which was fantastically more liberated than the rest of the country, but generally queer pulp fiction was eager to explore a post-homophobic fantasy world where gay men were free from oppression.

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Mary Elizabeth Braddon – Lady Audley’s Secret (1862)

Review by Justin Tate

Lady Audley’s Secret is a gorgeous example of the Victorian ‘Sensation Novel’ which dominated Great Britain during the 1860’s and ’70s. It includes a unique female mastermind of evil, while also presenting enough evidence for a lively counter argument over who the real villain is. The prose is top-notch and very modern. At times it reads more like the latest literary prize-winner and not something that was published over a hundred and fifty years ago. There’s plenty of mystery and suspense to keep the pages turning, but intriguing characters are what really keep you glued. It’s a shame this classic no longer enjoys the massive popularity it once carried well into the early 20th century. It holds up extremely well.

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