The most salacious story ever told. Easily one of my favorite horror novels of all time—holiday themed or otherwise. Just as fascinating, the backstory on how such delightful filth finally got published…
It’s spring, 1998. The world is obsessed with Titanic, discovering the Internet through AOL, rocking out to bubblegum boy bands, enjoying newly-FDA approved Viagra, and learning a lot about sex in the oral office—I mean, oval office. It also happens to be the year that fledgling writer Robert Devereaux finally publishes his landmark novel Santa Steps Out.
Read more “Robert Devereaux – Santa Steps Out (1998)”
Horror virtuoso Michael McDowell discards the gloomy norms of haunted house literature and sets this masterpiece along sandy shores of the sunny Gulf Coast. With sparkling waves at their doorstep and tanning oil on their pale skin, an exceedingly wealthy southern family relax in isolation at their Victorian beach houses over the summer. The respite is much-needed after the death–and bizarre funeral—of a detestable family matriarch.
One of the vacant beach houses is infested with a nasty spirit. Something that’s not quite ghost, not quite monster, but capable of physical manifestation and elemental manipulation. The family had suspicions about the house for years. Rather than do anything about it, however, they’ve elected to let it become overtaken by sand dunes and fall into ruin. Until this year, that is, when thirteen-year-old India is unable to resist her curiosity.
Read more “Michael McDowell – The Elementals (1981)”
A rare title sought highly by horror lovers. Most copies are listed for $100+. Its notoriety, it seems, can be sourced to an active cult fandom and Grady Hendrix’s sweeping praise.
In Paperbacks From Hell, which chronicles the publishing history of horror literature during the 1970s and 80s, Hendrix lists this book as a standout among the “creepy kids” subgenre. He goes on to say that it’s one of the few books to ever make his “jaw drop.”
Read more “Brenda Brown Canary – The Voice of the Clown (1982)”
A collection of gothic short stories “from the world’s leading ladies of terror.” The editor, Edwina Noone, goes on for some time celebrating the triumphant female takeover from the likes of Edgar Allan Poe, Hugh Walpole, Henry James and other male gothic icons. “Who is better equipped to write of a female in trouble than a talented lady author?” muses Noone in the introduction, declaring the included “authoresses” are among “the most gifted in the genre.”
This is all a bit cheeky, since Edwina Noone is actually the femnine pseudonym of writer Michael Avallone. Avallone self-satisfyingly includes two of his own stories in this anthology, one under the moniker “Edwina Noone” and another under his other pseudonym “Priscilla Dalton.”
Read more “Edwina Noone (ed.) – Edwina Noone’s Gothic Sampler (1966)”
If there’s ever a time to read a spooky novel entitled Bleak November, this November, in the year 2020 A.D., seems fitting. For historical reference, the world’s been hunkered down over eight months thanks to the COVID-19 pandemic. We’ve skipped birthdays, weddings, funerals, seated dining and blockbuster movies to social distance. For many, Thanksgiving is going to be a Zoom affair because airports are germy and we don’t want to kill Grandma. In the United States, confirmed virus cases have reached a record-shattering 125k+ per day. At the time of this writing, our death toll is 243,768.
Part of me did worry that reading a bleak novel during a bleak time would be overwhelming. My decision to pick up Stephen King’s The Stand right at the beginning of the outbreak led to some chilling nightmares and panic attacks. Still, I thought, you can only live through 2020 once. Why not make the most of it?
Read more “Rohan O’Grady – Bleak November (1970)”