Victoria Holt is a polarizing figure. Her Mistress of Mellyn (1960) created such a buzz that it was largely responsible for inspiring thousands of Gothic paperbacks during the 1960s and ’70s. Some (including me) consider this era a renaissance for the genre. Others, however, feel Holt and those like her cheapened Gothic literature by replacing the bombastic ingenuity of classics like Frankenstein and Wuthering Heights with plots that are, more or less, trifling romance.
I happen to believe Holt’s critics tend to be those who’ve never read her, but I also see their point. It would be disappointing if The Devil on Horseback was the first Gothic novel to appear in someone’s head over, say, The Mysteries of Udolpho. Just as it would be disappointing if Alex Cross was the first literary detective that came to mind over Sherlock Holmes or C. Auguste Dupin. Even still, for pushers of Gothic like me, I’m okay with any gateway drug. Especially if it inspires someone to try the “hard” stuff, like Horace Walpole, Ann Radcliffe and Matthew Lewis.Read more “Victoria Holt – The Devil on Horseback (1977)”