First published in 1816, when Edgar Allan Poe was an impressionable seven years old, this “science” volume chronicles reported incidents of premature burials, re-animated corpses, and bizarre embalming methods. It even finds time to get into politics, advocating for new laws that would make burial illegal within church yards and city limits.
Poe scholars point to this text as a possible reason for the author’s obsession with alive burials. Even if Poe never read it, its existence shows there was a general unease about premature interment at this point in history. Such evidence can further be found in early nineteenth century coffin technology which might include literal bells and whistles to alert a passing sexton.
Read more “Joseph Taylor – The Danger of Premature Interment (1816)”
Avoid the pond water and don’t cut the grass! This eco-gothic horror novel delivers more plant-based thrills than an Earth Day celebration. You’ll think twice about weedy vegetation overwhelming that ramshackle house outside of town, and may even second guess having outdoor trysts with woodland nymphomaniacs.
It’s rare for a pulp novel to live up to its brilliant cover, but this one does. Actually, the story surpasses any of the wild assumptions you might have going in. It gets crazier and crazier with every page, and I’m all about it!
Read more “Hugh Zachary – Gwen, In Green (1974)”
Die, Jessica, Die is a 1972 novel from the “Queen-Size Gothic” series. The series promotes itself as “greater in length and drama, richer in reading pleasure.” Presumably this appeals to readers who found mass-market gothic novellas of the 1960s and ‘70s too short and simplistic. In reality, the most “queen-size” thing about the series is thicker pulp paper (which makes 285 pages look more like 400) and a large font. Sometimes the plots are juicier than typical, but often they are as basic as any gothic romance paperback.
No exceptions here. Despite its alluring title and a narrator who promises much diabolical intrigue, there are no unconventional surprises.
As Jessica returns home after four long years at college, she finds her father’s mansion much-changed. There’s a new housekeeper she’s never met before, an attractive handyman roaming about, a strange doctor who administers tranquilizers at the first sign of distress, and a “burly” lawyer who may or may not be seducing Jessica for his own gain.
Read more “Jean-Anne de Pré – Die, Jessica, Die (1972)”