Anonymous – Barnabas Collins in a Funny Vein (1969)

Review by Justin Tate

Ever aware of the show’s campy tone, this novelty joke book first appeared in February 1969. Apparently it exceeded expectations, as there there at least five additional printings in only ten months. This impressive accomplishment is more indicative of the national frenzy for Dark Shadows anything, I believe, than the book’s content.

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Julian Francis – Bunny Bitch (1969)

Review by Justin Tate

This 1969 gay pulp novel got labeled as “Adult Only” entertainment when it was published, but it’s much more about true love than naughty exploits.

Steve Saville is the “head of computer division” for a big corporation. He’s 34, lonely, socially awkward, self-conscious, and carries baggage from painful past relationships. Thinking that he’s not meant for happiness, he is just confident enough to dance with attractive Ben “Bunny” Farrow at a party only because he’s rumored to be a hustler.

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Frederick Raborg – Gay Vigilante (1972)

Review by Justin Tate

Circa 1972, this western-themed pulp delivers all the gay cowboy imagery a boy could want, but also explores intriguing literary topics such as the disconnect between external and internal masculinity, the basic human need for love, and what amounts to a critique of polyamory.

Set in Sacramento Valley during the 1849 gold rush, we learn that Holt Dykes is on the run. He’s a blue-eyed desperado who’s more sensitive than his rough exterior reveals. He’s thirsty, dirty, and trying to outpace the man who wants him dead.

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Franz Kafka – The Metamorphosis (1915)

Review by Justin Tate

Gregor’s transformation into a bug is no ordinary plight, and yet the fallout is bitterly recognizable. Relatable, even. In fact, I associate myself with Gregor so exactly that it is almost as if Kafka had been writing—in his veiled, symbolic way—about my queer anxieties, just as they are on this day in 2021.

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Elizabeth Bonhôte – Bungay Castle (1796)

Review by Justin Tate

Bungay Castle by Elizabeth Bonhote is a literary artifact of the 1790s. This was a time when London was obsessed with reading Gothic novels by Horace Walpole, Clara Reeve, Ann Radcliffe and their numerous imitators. Minerva Press was a major publisher of all things Gothic and they added Bonhote’s novel to their growing catalog in 1796, the same year that Matthew Lewis published his enduring masterwork, The Monk.

For those of us with an academic interest in Gothic literature, the 1790s is seen as a magical period of enlightened creativity; a renaissance of all things spooky and macabre. The era also contains a never-ending well of Gothic novels that need to be re-read, re-analyzed, and re-discovered. Sadly, these works have been largely neglected by academia and, in many cases, out-of-print for over two hundred years.

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