Frederick Colson – The Devil is Gay (1965)

Review by Justin Tate

Happy Pride 2024. You know, not long ago in the early days of post-Obergefell v. Hodges, I believed Pride would become obsolete. Soon enough, I thought, we’d just be living our ordinary, twice-married, twice-divorced lives like everybody else. Nobody would care. It would be glorious.

Clearly I’m no prophet! Conservative fury over queer happiness is as vicious as ever and in a world where Roe v. Wade can be overturned, no freedom is safe. Every time I hear someone call a trans person mentally ill, which is every day online and by officials in high offices, I’m reminded that being LGBT+ was once reason enough to be institutionalized.

Gay pulp fiction from the 1960s and ’70s often tackled such dark topics. Being disowned by your family, blackmailed, fired from work, expelled from school, bullied to death, near-death or suicide, internalized homophobia, religious crisis, and extreme poverty due to any of the above circumstances. These were the matters of everyday queer life also portrayed in fiction. For some, particularly those in rural areas, the Sexual Revolution made things even more depressing. Progress was happening—you could see it!—but happiness remained just out of reach. Like dying of thirst in the desert with an oasis seen in the distance.

Now, nearly sixty years since The Devil is Gay was published, perhaps the most painful thing about the novel is that it remains exceedingly relevant. That’s a testament to our unfortunate current affairs, but also to Colson’s mastery of storytelling. What great art isn’t painful?

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Vincent Virga – Gaywyck (1980)

Review by Justin Tate

Gaywyck was a sensation when it appeared in 1980. Critics across the US and Canada heralded its excellent prose and landmark existence as the “first gay Gothic.” Though the peer-reviewed journal Gothic Studies recently debunked this claim, having unearthed an earlier (and better) Gothic novel with unambiguous queer characters from the Stonewall era, there are still these forty years where Gaywyck held onto the title.

More important than Gaywyck’s claim of being first, however, was its mainstream appeal. It was popular in the gay community, but also a favorite among women and straight men who enjoyed the genre. The first edition ran 45,000 copies and sold out quickly, as did the second printing of 55,000.

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Billy Farout – Man, It Must Be Heaven (1972)

Review by Justin Tate

Gay afterlife meets John Lennon utopia in this fantastical pulp novel. Murder, vengeful ghosts and tongue-in-cheek religious commentary are thrown in for good measure. As a literary artifact it offers a delightfully campy lens into the fantasies and fears of queer existence during the early 1970s.

The novel opens with Reggie Poppov waking up in the “Gay Wing of Purgatory.” He’s disoriented and wearing a big poofy wedding dress. Leaning over him is a “half nude angel” whose rippling physique makes him “more handsome” than Michelangelo’s David. The angel asks what happened to him. Reggie gradually recalls that he had dressed in wedding drag so he could legally marry his boyfriend, Bob. While posing for pictures on the Golden Gate Bridge, however, Bob pushed him over the edge so he could inherit Reggie’s family fortune.

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Ed Kroch – Bring in the Clowns (1990)

Review by Justin Tate

There’s a lot of ball juggling in this book, if you catch my drift. The “plot” consists almost entirely of bedroom scenes. There are, however, fleeting moments of macabre clown imagery to jazz up the D-grade erotica.

The opening image is red, green and blue strobes from car headlights passing the stained-glass window of a Victorian mansion. Mark, a clown accountant, has set up a compound in the mansion for his wildly successful troupe, Bring in the Clowns. Their financial success proves there’s a special synergy among the clowns. As we soon discover, it likely has to do with their limitless dedication to customer service. The juxtaposition of jolly clowns living in a creaky old mansion is really quite sublime.

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William J. Lambert, III – Adonis Trilogy (1969-1970)

Review by Justin Tate

It doesn’t get any more 1969 than Adonis. This novel is as trippy as an extended foot and more surreal than Salvador Dali’s wet dreams. Though billed as “adult only” gay entertainment, much of the sex oozes with a slime of horror and supernatural mystery. You don’t know whether to be repulsed, turned on or terrified. Perhaps it’s the combination of all three which make it so unique.

Back in the day Adonis was popular enough to warrant two sequels. Today it’s an extremely rare find that might cost three figures for a tattered used copy.

California Scene, one of the more literary-minded gay presses, reviewed the novel in their May 1971 issue. They described it as “quite an exciting detective story” and praised Lambert’s “great skill in handling” a “number of good ideas.” In the same breath, however, there was concern that the “extremely involved” plot was peopled with “too many characters” and consequently difficult to follow.

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