This Thanksgiving the turkey bites back! In the same universe as The Jack-O’-Lantern That Ate My Brother, Elizabeth is once again faced with a holiday foe. She doesn’t remember her prior supernatural adventures, but something tells her these strange events are linked to a mysterious man named Ralph.
It all starts with a bizarre advertisement for a giant paper turkey. The cost is free and the delivery is free. Just call this number and speak to Ralph. Of course the kids place an order! What could go wrong?
Read more “Dean Marney – The Turkey That Ate My Father (1995)”
Bizarre kid horror that I somehow missed in the ’90s. Love that there’s a whole series of books where holiday icons eat family members. Up next are titles like The Turkey That Ate My Father and The Christmas Tree That Ate My Mother.
One might expect a wacky story about a killer pumpkin on the loose, but in actuality it’s more bonkers than that.
Read more “Dean Marney – The Jack-O’-Lantern That Ate My Brother (1994)”
Fear Street, Christopher Pike, Caroline B. Cooney and other teen thrillers were big in the ’90s, but did you know Elvira had her own book series?! I didn’t before stumbling upon this old paperback. When the description compared itself to R.L. Stine, stars aligned and I felt this book must’ve been written specifically for me.
No surprise, I LOVE it! Written along with John Paragon, who collaborated with her on Elvira, Mistress of the Dark (1988), Elvira’s Haunted Hills (2001) and other Elvira-related sketches, it encapsulates everything we love about the busty horror hostess.
Read more “Elvira & John Paragon – Transylvania 90210 (1996)”
A collection of 26 eerie vignettes. They were written by Michael Avallone specifically for Boris Karloff to narrate. However, only 13 stories were chosen for Karloff’s “Tales of the Frightened” LP (between volumes 1 and 2). Karloff, along with Vincent Price and Thurl Ravenscroft, is one of the most iconic horror voices in history and his vocal talents add generous depth to what otherwise might be ho-hum flash fiction.
Read more “Michael Avallone – Tales of the Frightened (1963)”
Listening to his narration along with the book, my mind frequently drifted away from plot and became more focused on Karloff’s vocal mastery. He increases speed when tension is high, slows down to brood over mystery, and generally makes everything creepier. The text is meant to have a by-the-fire chatty feel, but he finds numerous opportunity to increase the casual tone through vocal inflection when I might not have read it that way.