It doesn’t get any more 1969 than Adonis. This novel is as trippy as an extended foot and more surreal than Salvador Dali’s wet dreams. Though billed as “adult only” gay entertainment, much of the sex oozes with a slime of horror and supernatural mystery. You don’t know whether to be repulsed, turned on or terrified. Perhaps it’s the combination of all three which make it so unique.
Back in the day Adonis was popular enough to warrant two sequels. Today it’s an extremely rare find that might cost three figures for a tattered used copy.
California Scene, one of the more literary-minded gay presses, reviewed the novel in their May 1971 issue. They described it as “quite an exciting detective story” and praised Lambert’s “great skill in handling” a “number of good ideas.” In the same breath, however, there was concern that the “extremely involved” plot was peopled with “too many characters” and consequently difficult to follow.
Read more “William J. Lambert, III – Adonis Trilogy (1969-1970)”
This 1969 gay pulp novel got labeled as “Adult Only” entertainment when it was published, but it’s much more about true love than naughty exploits.
Steve Saville is the “head of computer division” for a big corporation. He’s 34, lonely, socially awkward, self-conscious, and carries baggage from painful past relationships. Thinking that he’s not meant for happiness, he is just confident enough to dance with attractive Ben “Bunny” Farrow at a party only because he’s rumored to be a hustler.
Read more “Julian Francis – Bunny Bitch (1969)”
Circa 1972, this western-themed pulp delivers all the gay cowboy imagery a boy could want, but also explores intriguing literary topics such as the disconnect between external and internal masculinity, the basic human need for love, and what amounts to a critique of polyamory.
Set in Sacramento Valley during the 1849 gold rush, we learn that Holt Dykes is on the run. He’s a blue-eyed desperado who’s more sensitive than his rough exterior reveals. He’s thirsty, dirty, and trying to outpace the man who wants him dead.
Read more “Frederick Raborg – Gay Vigilante (1972)”
If you’ve ever checked out Pennywise and thought “I’d hit that,” you might be like Terry Adams, the nineteen year-old farm boy from St. Paul and newest recruit at the Gay Circus.
Terry’s life ambition is to become a clown himself. With his big ears “like sugar bowl handles” and theatrical eyes that spontaneously “alternate between happiness and sadness,” it’s like he was made for it. Everyone says he has the face of a clown, “even without makeup.” Being double-jointed is just the cream pie on top.
Read more “Kym Allyson – Gay Circus (1970)”
Published in 1977, sometimes attributed to Shelley and Paul Katz, but more often just Shelley, now thoroughly out of print, Alligator is one of the bazillion killer creature novels to emerge after the success of Jaws (1974). Unlike other rip-offs, however, this one is actually good. Unexpectedly, almost shockingly good.
The first chapter is ablaze with rich characterization, ominous Everglades atmosphere, and the chomps we paid for. Then there’s about 75 pages of rubbish. But then, holy shit, the excess characters thin out and we’re left with two guys battling the elements, an evil alligator, and their own hyper masculinity.
Read more “Shelley Katz – Alligator (1977)”
Snakes are my favorite beast to go berserk and here we have a satisfying nest of Indian cobras terrorizing New York City apartment buildings. It’s a good set-up that’s just as zany as one would expect and hope for. Only slightly marred by a long list of characters who are probably given more attention than necessary.
That said, characters are also what makes this a good time. Our lead is a creepy vagabond type fellow who’s gone to the dark side because of his overbearing mother. He breaks a girl’s heart after using her to smuggle snakes into the States. His intended purpose with the snakes remains a mystery, but we do know that he has wet dreams whenever he hears them slithering about.
The girl definitely dodged a bullet.
Read more “Russell O’Neil – Venom (1979)”
A rare title sought highly by horror lovers. Most copies are listed for $100+. Its notoriety, it seems, can be sourced to an active cult fandom and Grady Hendrix’s sweeping praise.
In Paperbacks From Hell, which chronicles the publishing history of horror literature during the 1970s and 80s, Hendrix lists this book as a standout among the “creepy kids” subgenre. He goes on to say that it’s one of the few books to ever make his “jaw drop.”
Read more “Brenda Brown Canary – The Voice of the Clown (1982)”
If there’s ever a time to read a spooky novel entitled Bleak November, this November, in the year 2020 A.D., seems fitting. For historical reference, the world’s been hunkered down over eight months thanks to the COVID-19 pandemic. We’ve skipped birthdays, weddings, funerals, seated dining and blockbuster movies to social distance. For many, Thanksgiving is going to be a Zoom affair because airports are germy and we don’t want to kill Grandma. In the United States, confirmed virus cases have reached a record-shattering 125k+ per day. At the time of this writing, our death toll is 243,768.
Part of me did worry that reading a bleak novel during a bleak time would be overwhelming. My decision to pick up Stephen King’s The Stand right at the beginning of the outbreak led to some chilling nightmares and panic attacks. Still, I thought, you can only live through 2020 once. Why not make the most of it?
Read more “Rohan O’Grady – Bleak November (1970)”
Like most ’80s short story collections, this one is a mixed bag. Less mixed than most, however. The majority of stories are quite good, some borderline exceptional. “Miss Mack” by Michael McDowell is the most alluring entry, and this is the only publication where you can find it. Here’s a mini review of each story:
Introduction / “Halloween Night” by Alan Ryan
In lieu of a dull prosaic introduction, Ryan wisely opens this anthology with a short poem that celebrates the mischief and merriment of Halloween—specifically Halloween night when all the heavy hitters come out. Cute!
Read more “Alan Ryan (ed.) – Halloween Horrors (1986)”
Coach rides through thunderstorms, falling chandeliers, inexplicable music in a spooky mansion, multiple love interests—one of whom may be a murderer—what’s not to love? Daniels cooks up a classic mystery recipe and adds carnival atmosphere for extra spice. Exotic animals, attractive acrobats, romantic little people, and other Cirque du Gothic elements are present in nearly every scene. Oh, and clowns. Lots of clowns! Consider, for example, this gem:
My pale pink tights were easy to see in the gloom. There’d be some time before the forest would be jet black and I realized I didn’t have that much time to get away from this clown with a knife.
Read more “Dorothy Daniels – The House on Circus Hill (1972)”