William J. Lambert – Valley of the Damned (1971) + Interview

Review by Justin Tate

Reading rare and obscure books has become my obsession, and this is the rarest one yet. Considered the first gay werewolf novel, it has significance to queer horror fans, but its appearance in 1971, amid a swirl of gay socio-political turmoil, interests me even more. I can’t read it and not imagine myself as a groovy gay man, the possibility of equal rights newly in my head after the Stonewall Riots, but knowing actual equality is so far off as to be unimaginable. My existence is considered monstrous to almost everyone. I know because they told me. Maybe not me specifically, because of course I’m in the closet, but they’ve said it out loud. Many times.

In 1971 you could be jailed for writing books like this, and reading them wasn’t always safer. Obscenity laws still percolated in the Supreme Court and Greenleaf Classics, Lambert’s publisher, faced endless legal battles.

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Robert Devereaux – Santa Steps Out (1998)

Review by Justin Tate

The most salacious story ever told. Easily one of my favorite horror novels of all time—holiday themed or otherwise. Just as fascinating, the backstory on how such delightful filth finally got published…

It’s spring, 1998. The world is obsessed with Titanic, discovering the Internet through AOL, rocking out to bubblegum boy bands, enjoying newly-FDA approved Viagra, and learning a lot about sex in the oral office—I mean, oval office. It also happens to be the year that fledgling writer Robert Devereaux finally publishes his landmark novel Santa Steps Out.

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Michael McDowell – The Elementals (1981)

Review by Justin Tate

Horror virtuoso Michael McDowell discards the gloomy norms of haunted house literature and sets this masterpiece along sandy shores of the sunny Gulf Coast. With sparkling waves at their doorstep and tanning oil on their pale skin, an exceedingly wealthy southern family relax in isolation at their Victorian beach houses over the summer. The respite is much-needed after the death–and bizarre funeral—of a detestable family matriarch.

One of the vacant beach houses is infested with a nasty spirit. Something that’s not quite ghost, not quite monster, but capable of physical manifestation and elemental manipulation. The family had suspicions about the house for years. Rather than do anything about it, however, they’ve elected to let it become overtaken by sand dunes and fall into ruin. Until this year, that is, when thirteen-year-old India is unable to resist her curiosity.

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Brenda Brown Canary – The Voice of the Clown (1982)

Review by Justin Tate

A rare title sought highly by horror lovers. Most copies are listed for $100+. Its notoriety, it seems, can be sourced to an active cult fandom and Grady Hendrix’s sweeping praise.

In Paperbacks From Hell, which chronicles the publishing history of horror literature during the 1970s and 80s, Hendrix lists this book as a standout among the “creepy kids” subgenre. He goes on to say that it’s one of the few books to ever make his “jaw drop.”

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Coronavirus Journal: Stephen King – The Stand (1978)

Review by Justin Tate

As soon as Chinese New Year got cancelled, I knew this was serious. Then the virus spread just like viruses do in every horror novel. So much so, in fact, that my immediate first thought was not to stock up on bottled water and toilet paper, but that it’s finally time to read The Stand.

Naturally I’m a Stephen King superfan, so it’s strange I hadn’t yet read what is commonly considered his magnum opus. In the back of my mind I knew there would be a right time to read it. I thought it might be after King’s death (rue the day) or after reading everything else by him. As a way to fully compare it to the rest of his oeuvre. Clearly, however, a once-in-a-100-years pandemic was the sign I was looking for. This is it, folks. It’s time.

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Alan Ryan (ed.) – Halloween Horrors (1986)

Review by Justin Tate

Like most ’80s short story collections, this one is a mixed bag. Less mixed than most, however. The majority of stories are quite good, some borderline exceptional. “Miss Mack” by Michael McDowell is the most alluring entry, and this is the only publication where you can find it. Here’s a mini review of each story:

Introduction / “Halloween Night” by Alan Ryan

In lieu of a dull prosaic introduction, Ryan wisely opens this anthology with a short poem that celebrates the mischief and merriment of Halloween—specifically Halloween night when all the heavy hitters come out. Cute!

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