
The Italian appeared in 1797 during peak Ann Radcliffe pandemonium. Fueled by the success of her uber bestsellers The Romance of the Forest (1791) and The Mysteries of Udolpho (1794), this new release was destined to be popular, no matter what. Fans were anxious for another Gothic thriller by their favorite author, particularly since the genre had become so fashionable. Matthew Lewis’ The Monk (1796), for example, had recently scandalized readers in all the right ways. When rumor got out that The Italian was Radcliffe’s literary response to Lewis, anticipation whirred like a steam engine.
Certainly the publisher had big expectations. Radcliffe was already the highest paid author in the world after receiving a record-breaking £500 for Udolpho. For the The Italian she was paid £800, or about three times the annual salary of her successful, journalist husband.
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